fosse.com | features | the fosse forum | merchandise | advertise | contact us
features


Working Magic With Pippin
by Scott Miller

« Back

There are several important images running through Pippin, the most noteworthy of which are the metaphorical references to the sun (and "son"). As the first-born son of Charlemagne, Pippin is connected repeatedly to sunrise, while Charles is sunset. The use of sunrise and sunset is symbolic of beginning and ending, life and death, an image used in many cultures throughout history, and this image ties the whole show together. If everything goes as Leading Players plans, Pippin the musical will encompass Pippin's entire life, from his birth to his death in a fiery suicide in the finale.

At first, the sun references are made by other players, but later Pippin begins associating himself with the sun as well. Perhaps the connection comes from Pippin's desire in his first song to find his "Corner of the Sky." Leading Player knows from the first moment of the show that Pippin is primed to be led into the flame of the Grand Finale. He knows that Pippin is considering suicide and needs little help to take the final step. The first reference to the sun comes in Pippin and Charles' first conversation. Charles tells him that though sunrise and sunset are similar, they are not identical. Of course, what he means is that Pippin (sunrise) is like Charles (sunset) is many ways, but would be a very different kind of king, as we'll see in scene 5.

Fastrada continues the sun metaphor with her song, "Spread a Little Sunshine." She sings in one verse about lighting a fire, presumably with an eye toward the impending finale. She reinforces the sun metaphor and even gives us a hint of the nature of the finale by connecting sunshine and lighting a fire with fulfillment.

Charles' comment about sunrise and sunset in Scene 2 apparently makes quite an impact on Pippin. When Pippin comes disguised as a monk to kill Charles in his chapel at Arles, Pippin says he sees in Charles' eyes a sunset. This is a symbol both of Charles and the old regime. Pippin stabs Charles and becomes the new king. Pippin sees his ascendancy to the throne as a new beginning -- a sunrise -- as he sings "Morning Glow". Charles, as sunset, is at the end of his reign. Pippin's discontent is also seen as the phantoms that will fade away in the light of the sun; but he thinks that sun is his reign as king. He will find later that it's really his suicide. Charles' death has spawned the birth of a new world under Pippin's reign, and has simultaneously presaged Pippin's own death. Not surprisingly, like everything else Pippin tries, he's a dismal failure at being king too, because he has such a superficial view of what it means to be a leader.

In Scene 7, Catherine makes a surprisingly prescient comment about Pippin in her song, "I Guess I'll Miss the Man." She sings that though some men can outshine the sun, Pippin is not one of them, despite what Leading Player will later suggest. Catherine, the only one in the show who genuinely understands Pippin, knows that he's not supposed to do the finale. She knows that he's not extraordinary and therefore, not a proper candidate for the finale. As the rest of the troupe tells Pippin he can be as brilliant as the sun itself, only Catherine knows that it's not true.

Meanwhile, the company is preparing Pippin to do the Grand Finale. The sun and sunrise now also represent death and suicide. But by refusing to do the finale, he finally realizes that he is in fact not the sun, not extraordinary. For the first time, Pippin is actually taking action, making a decision. People who are suicidal feel out of control of their lives, but Pippin has finally regained some control over his life.

God...



1994-2003 hijinks design. All Rights Reserved.
Site design and hosting by hijinks design.
| Photo Catherine Ashmore